Black strapless dress short 2018

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A little black dress from 1964

A little black dress (LBD) is a black or, cut simply and often quite short. ascribe the origins of the little black dress to the 1920s designs of and intended to be long-lasting, versatile, affordable, accessible to the widest market possible and in a neutral colour. Its ubiquity is such that it is often simply referred to as the "LBD".

The "little black dress" is considered essential to a complete by many women and fashion observers, who believe it a "rule of fashion" that every woman should own a simple, elegant black dress that can be dressed up or down depending on the occasion: for example, worn with a jacket and pumps for daytime business wear or with more ornate jewelry and accessories for evening or a formal event such as a or a.

Contents

History[]

Black has always been. In the early 18th century, black represented romance and artistry. As said of it, "Black is poetic. How do you imagine a poet? In a bright yellow jacket? Probably not." In the early 19th century, black was adopted by the such as,, and, due to its melancholic aura. As the began, black transitions from a color of art to one of grief and mourning - widows were expected to wear black for at least four years - and also for service livery, as the uniform for.


In 1926 published a picture of a short, simple black dress in American. It was calf-length, straight and decorated only by a few diagonal lines. Vogue called it "Chanel's Ford". Like the, the little black dress was simple and accessible for women of all social classes. Vogue also said that the LBD would become "a sort of uniform for all women of taste". This, as well as other designs by the house of Chanel helped disassociate black from mourning, and reinvent it as the uniform of the high-class, wealthy, and chic. As Coco herself proclaimed, "I imposed black; it's still going strong today, for black wipes out everything else around."

The little black dress continued to be popular through the, predominantly through its economy and elegance, albeit with the line lengthened somewhat. 's influence on fashion helped the little black dress's popularity, but for more practical reasons: as Technicolor films became more common, filmmakers relied on little black dresses because other colors looked distorted on screen and botched the coloring process. During, the style continued in part black strapless dress short 2018 due to widespread rationing of textiles, and in part as a common uniform (accessorized for businesswear) for civilian women entering the workforce.

Models wearing little black dresses in, 2010

The rise of in the post-war era and the sexual conservatism of the 1950s returned the little black dress to its roots as a uniform and a symbol of the dangerous woman. Hollywood and characters were portrayed often in black halter-style dresses in contrast to the more conservative dresses of housewives or more wholesome Hollywood stars. Synthetic fibres made popular in the 1940s and 1950s broadened the availability and affordability of many designs.

The generation gap of the 1960s created a dichotomy in the design of the little black dress. The younger "" generation preferred, in general, a miniskirt on their versions of the dress and designers catering to the continued to push the envelope - shortening the skirt even more, creating cutouts or slits in the skirt or bodice of the dress, using sheer fabrics such as or. Many women aspired to simple black sheath dresses similar to the worn by in the film.

The popularity of casual fabrics, especially knits, for dress and business wear during the 1980s brought the little black dress back into vogue. Coupled with the fitness craze, the new designs incorporated details already popular at the time such as broad shoulders or : later in the decade and into the 1990s, simpler designs in a variety of lengths and fullness were popular. The culture of the 1990s saw the combination of the little black dress with both sandals and, though the dress itself remained simple in cut and fabric.

The new glamour of the late 1990s led to new variations of the dress but, like the 1950s and the 1970s, colour re-emerged as a factor in fashion and formalwear and repeatedly shows an aversion to black. The resurgence of body conscious clothing, muted colour schemes, and the reemergence of predominant black, along with the retrospective trends of the 1980s in the late 2000s paved way to the return of interest to the dress.

Famous little black dresses[]

The as Holly Golightly in, designed by, epitomized the standard for wearing little black dresses accessorized with pearls (together called "basic black"), as was frequently seen throughout the early 1960s. The dress set a record in 2006 when it was auctioned for £410,000, six times its original estimate., a cartoon character based in part on the 1920s' "It Girl", was drawn wearing a little black dress in her early films, though with later, Betty's dress became red.

, Duchess of Windsor, was known to own several little black dresses and said much in praise of the garments. One quote of the Duchess: "When a little black dress is right, there is nothing else to wear in its place.", the French folk icon, performed in a black sheath dress throughout her career: for this habit she was nicknamed "little black sparrow". It was thought that the dress helped audiences focus more on Piaf's singing and less on her appearance.

In an incident at 's theatre in 2004, a director fired the then- from an because she could not fit into a "little black cocktail dress", replacing her with the slimmer.

See also[]

References[]

  1. Steele, Valerie (1988). Paris Fashion: A Cultural History. Oxford University Press. pp. 246–248.  . 
  2. styledotcom (2010-08-19).. Style.com. Retrieved 2013-07-13. 
  3. . Mirror.co.uk. 2010-04-15. Retrieved 2013-07-13. 
  4. 2010-10-11 at the.
  5. ^ Edelman, Amy Holman (1998). The Little Black Dress. Aurum.
  6. Picardie, Justine (2010). Coco Chanel: the legend and the life. London: Harper Collins Publishers. pp. 92–93.  . 
  7. . Hellomagazine.com. 2006-12-06. Retrieved 2013-07-13. 
  8. Anthony Tommasini, "With Surgery, Soprano Sheds a Brünnhilde Body," New York Times, March 27, 2005, found at. Before and after images included. Accessed May strapless 27, 2009.
  9. Vivien Schweitzer, "Music Review: A Slimmed-Down Diva Keeps Her Vocal Heft," New York Times, June 18, 2009, found at. Accessed May 27, 2009.
  10. "Deborah Voigt: Off The Scales: Opera Star Talks About Lifelong Battle With Weight," found at, CBS News. Retrieved May 29, 2009.

Further reading[]



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